Guided Tour

On Guided Tour, jazz s most innovative and accomplished vibraphonist proves that The New Gary Burton Quartet which he premiered last summer on his Mack Avenue debut, Common Ground was no one-trick pony. Featuring the prodigal guitar genius Julian Lage as well as two veterans, bassist Scott Colley and drummer Antonio Sanchez, Guided Tour provides a road to one of the most dynamic bands on the scene today. On Guided Tour, Burton sought out original material from all the group s members (as he did with Common Ground), illuminating their wide range of cross-cultural musical styles. They outdid themselves this time, he says. The program includes Legacy a haunting ballad written by Scott Colley to honor his recently deceased her and the two Antonio Sanchez pieces that bookend the disc: the splashy Latin-themed opener, Caminos, featuring solos from only the percussion instruments (drums and vibes); and Monk Fish, a romp on familiar chords infused with the wry humor found in the music of bop-era pianist Thelonious Monk. Three pieces from Lage demonstrate the unusually mature sense of composition that also marks his solos. In The Lookout, he cleverly recasts Careful, written by the influential guitarist Jim Hall (and one that Burton has recorded, with Hall himself, in the past). On Sunday s Uncle, we find Lage playing what Burton calls one of his own devilishly challenging melody themes with apparent ease, in counterpoint to my own part which is considerably less difficult I m happy to say before easing into a particularly memorably solo. And Helena exploits the guitar s Iberian heritage while updating that tradition with complex rhythms and jazz harmonies. What s more, Burton a famously reticent composer, who has always relied primarily on others compositions for his repertoire contributed two new songs of his own. He describes the first, a jazz waltz entitled Jane Fonda Called Again, as whimsical and Bill Evans-ish (intentionally so). He might have added that it subtly recalls some of the legendary composers whose music has dovetailed with Burton s own throughout his career, such as Steve Swallow, Carla Bley and Pat Metheny; Lage s solo especially stands out. And Burton s Remembering Tano pays tribute to his tango mentor, the master composer and bandoneon player Astor Piazzolla (nicknamed Tano, for his Italian heritage); their 1986 collaboration The New Tango opened up a fresh avenue of world-music exploration for the vibist. Two songs from outside the band complete the set list: the stately Michel Legrand ballad Once Upon A Summertime and pianist Fred Hersch s Jackalope, written (mostly) in 7/4 time and delightfully unpredictable in its phrasing. For Burton, the proof of this album s success came several weeks after the musicians had left the studio. I can't judge an album very well right after I record it, having gone over and over the tracks in editing, mastering, etc., he says. So I always put a new project aside for a month or so, then come back to it and listen with fresh ears as I imagine a listener might hear it for the first time. And when I did that with Guided Tour, I was struck by the richness of the content, the range of the compositions, and how well the group captured each piece. And, of course, the superb musicianship, but with players like these, that's a given. Add in a tour guide like Burton, and the path is clear, on an album likely to rank among the year s best. At 70, having already led one of the most remarkable careers in music history, Gary Burton seems to be just warming up, with a landmark year in 2013.

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