Matinee Idol by Vinegar Syndrome (Kay Parker & Jesie St. James)

This DVD has lost quite a bit of its original value since the excellent documentary on Frank Capra's life and career is also in The Premiere Frank Capra Collection (Mr. Smith Goes to Washington / It Happened One Night / You Can't Take It with You / Mr. Deeds Goes to Town / American Madness / Frank Capra's American Dream) . Every fan of classic film should have this one. The documentary itself is very complete, talking about the entirety of Capra's life from the emigration of his family from Italy and his childhood up until his retirement from the film industry in 1961. The reason for Capra's retirement was that he felt that the industry had changed and that the director was not so much a creative force as he was just an employee under the direction of whomever the star of the film happened to be. The accompanying film is "The Matinee Idol", and it is an unremembered gem of a silent film. Columbia was still a poverty row studio in 1928, but this production is every bit as polished as anything that MGM or Paramount would have put out at the time. The story revolves around the star of a Broadway Revue, Don Wilson (Johnnie Walker), who is a black-face comic. The management of the theater thinks that Don has been working too hard, so they advise a rest in the country. The group drives out to a small town where their car breaks down. The whole town - including the mechanic - are all at the "show" - the most recent play by the Bolivar players, the star of which is Ginger Bolivar (Bessie Love). Don is just looking for the mechanic when he stumbles into an audition for a bit part involving a love scene with Ginger. He gets the part because the other applicants are just so bad. The show is just terrible, but the town thinks it is terrific as do the Bolivar players. This gives our urban visitors ideas on a way to liven up their New York revue at the expense of the Bolivars' dignity. Bessie Love gives the same perky performance here that she always does, but at this point in her career she is on the way out since the age of 30 was a magic number for actresses at that time. The coming of sound gives her career about a two year revival as she stars in "The Broadway Melody of 1929" and several other musicals in 1929 and 1930. When the early musicals fall out of favor with the Depression-era public Bessie is back on the poverty row circuit once again, leaving films pretty much altogether from 1931 until World War II. As for leading man Johnnie Walker, this was pretty much his first and last hurrah in both silent and talking pictures. He had supporting roles before and after this one, but it was his only starring one. This is surprising since he is so engaging here. Even if you already have the Frank Capra collection with the documentary, this one is worth picking up since "The Matinee Idol" is one of the best of the silent romantic comedies that I've seen. It certainly has that Frank Capra "feel-good" touch about it, even at this early stage of his directing career.

Not very interesting

Very enjoyable romantic comedy of mistaken identity's. A rediscovered previously lost classic . Wonderfully restored. Bessie Love is great and hilarious in her performance. And deeply moving. Johnnyie Walker is superb in his performance of duel identity. And his occasional performance in black face is tastefully done. In the same vein as Al Jolson. His is a understated performance when in black face. Not mean spirited at all. And it is merely a plot device. With this understanding a modern audience can appreciate the performance in the era it was set in. It sets up a great revelation scene for when Bessie Love discovers "Bob Wilson and Harry Mann are one and the same. And of her true love for him. The central theme is bring the country hicks and their amateur 'theater troupe the Bolivar Players who think they have a serious dramatic play on their hands,whereas the city Broadway producers think their performance is comedic. It is both funny and eventually heart braking to watch. Dynamic performances by everyone involved. A 5 star performance of a little gem of a movie that sparkles and glistens.

The Matinee Idol is one of those silent film treasures because it was considered lost for such a long time. When it was discovered, it was not complete and had been altered not only for a different language but for time it seems. The restoration on this disk looks beautiful. One would never know by looking at it that it was such a find; there is practically no deterioration and the picture is gorgeous. The only giveaway are the skips in the film which account for five minutes of lost footage. You don't need it to enjoy the film though. The Matinee Idol is about a Broadway blackface star (Johnnie Walker). He goes to a small town with some big shot friends who decide to waste time by seeing a show. The blackface star winds up in the show and hams it up for his friends in the audience. The show is a trite melodrama taken very seriously by the small town folks in it, especially the female lead (Bessie Love). When she fires the Broadway actor, he retaliates by having his friends take the show to New York so he can make fun of them. As the story often goes, the two begin to fall for each other, but he still goes through with his plan. The Broadway show is bittersweet; it is both funny and sad as the crowd laughs like hyenas but the players realize the extent of their talents. Also included on this disk is a wonderful documentary about Frank Capra, the director of the film. It covers the many famous Capra films as well as some that are lesser known, his relationships with stars like Harry Langdon and Barbara Stanwyck, and his life outside of Hollywood. There are interviews with his sons and other directors like Martin Scorcese and actors like Peter Falk and Fay Wray. The opening is beautiful and makes one feel that the film is important. It ends by giving the viewer a new perspective on Capra's messages and moods in his work to help one appreciate it more.

very happy to have been able to add this title to my collection. Angel and Kay Parker highly recommended

An extraordinary film, not just for Frank Capra and Bessie Love fans. Despite some lost material, the restored picture is good, and the sound is well above average. What amazes are the is craftsmanship and a story that explores the relationship of the entertainer and audience. Its themes anticipate post-WWII critiques of the mob ("Face in the Crowd") and films that expose the destructive edge of comedy ("King of Comedy"). But forget history and theory, this is one entertaining movie. For Capra and Love fans, it is a must-see.

I truly enjoyed the biography on Frank Capra's life, simply first rate. Its the reason I bought the dvd. I haven't gotten around to watching the movie. Had I done so I may have given it a five star rating.

Frank Capra's American Dream is a must for all those who have enjoyed Capra's contribution to cinematic art - and still do. The documentary gives a full overview of Capra's life and detailed discussions of all of his major films, illustrated with carefully selected excerpts from them. The discussions are balanced, and deal with the strengths and weaknesses of individual films. I was struck by the darker themes implicit in Capra's mature work. Interviews with his children and with various artists involved in his projects provide fascinating insights into the histories of Capra's films. I was particularly interested in the interviews with Jane Wyatt (Sondra in "Lost Horizon," my favourite Capra film), and Fay Wray (of "King Kong" fame), who was the wife of Robert Riskin, Capra's main scriptwriter for many years. Capra's problems with the evolving Hollywood "star system" in the later part of his career make sad viewing. The reproduction quality of the documentary is excellent. Ron Howard did a sterling job as the host of the documentary. Highly recommended. David Lee-Smith, Upper Hutt, New Zealand

This wonderful silent comedy,is in my opinion,Frank Capra's funniest film.I found this film a fantastic surprise,as it almost achieves the heights of Buster Keaton or Charlie Chaplin's' best films!The story is a bit familiar,(could it possibly have influenced Mel Brook's PRODUCERS?!).This time however,it is the cast of a provincial Theatre (all hams),that don't realize how unintentionally funny they all are.The arrival of a star of Broadway(Johnnie Walker),in the town on holiday,gets incidentally caught up in the ham play,as he becomes romantically interested in the leading lady (Bessie Love),and gets taken on as an minor actor.Bessie is totally unaware of his fame,but his Producer ,and us find them so funny,that he signs the whole cast,including Johnnie (under a different name)to do their play on Broadway.This basic framework of a plot,leads to convoluted and extreemly funny visual comedy.No word of a lie,this film is a comedy masterpiece! Thought lost,this gem was rediscovered as a export print,lying in a vault in the Cinematheque Francaise,and brought resplendently alive by a fantastic job of restoration,by Sony.The picture quality is so good,that it comes as a major surprise to learn ,that the original negative was not used.It was restored ,meticulously frame by frame ,from a positive excellent 28mm print,and the resulting high definition transfer is miraculous,and appears perfect,a template for all future restorations!This Great film ,is a must see ,for all fans of visual comedy and of Frank Capra.Praise should also be given to the jazzy ,orchestral score by Robert Israel ,which fits in beautifully,and also helps to bring the film gloriously alive.Unfortunately ,this version is Region1 ,or for people with multi-regional DVD players only.I can't speak for other DVDs of this film,but check this one out and be amazed!

great

excellent