Sony Cyber-SHOT DSC-HX300

I would give 5 stars for this, but the camera wasn't properly secured. It was placed in a small box, but there was still room for the camera to move a bit around. So I would call it a luck that it still works. Regarding the camera, it was as advertised and used in perfect condition. No scratch on the body or lens, no moisture in the lenses, the camera is fully working and takes beautiful pictures. Please improve packaging.

持った手にうまくフィットして安定したショットが撮れる。画質特に動画の画質は同クラスではかなり上位。

Il prodotto è ben fatto ma alle volte scade su piccole cose come ad esempio il tappo obiettivo senza il cordoncino per assicurarlo alla macchina. Il problema è gestire un zoom così potente, probabilmente avrei dovuto limitare la focale dello zoom ottenendo però messe a fuoco più semplici.

Summary: Only this camera empowers me to quickly tweak focus, freeze framing a duck on the other side of a large lake, or a Robin bathing in a neighbor's birdbath -- complete with the individual water droplets falling from that duck's bill as she drinks, or flying off that robin as she shakes herself dry. - - - - Concurring with the positive reviews, I write to highlight essential points. ::::: (1) Image Quality (IQ) ::::: Some blame "20 megapixels" for the poor IQ of their disappointing photos. Reality check: you can *choose* 20, 15, 10 or 5mp as the default. Some just generally declare "bad IQ" at the extreme zoom end; others love the IQ. The reason you're seeing such opposing opinions likely comes down to one fact: 50x zoom is new to us all. Some learn how to tame all that power; some don't. (More on this issue at #5&6 below.) Incidentally, Noise Reduction errs on the side of details (thankfully!), rather than smearing; configure as desired, in the Settings. ::::: (2) "Superior Auto" Modes ::::: There are two, one with a "Plus" designation. Plus adds a sort of *realistic* HDR, among other features; you'll hear machine-gun shutter snaps--- Sony uniquely blends them all into one final picture. Thus, you can not burst shoot while in SAP, but it is available in SA. Great surprise: each mode is pretty darn good! (Hanging out in auto mode when testing a new camera = cheat sheet to inherent firmware flaws. I've experienced no deal-breakers here.) It's even smart enough to apply a bokeh effect re zooms! (Still learning EXACTLY when I can expect that to kick in.) Scene modes are also quite helpful, and exploitable for more than the described purpose. ::::: (3) Lens, Zoom ::::: The lens is threaded for 55mm filters. (See #10) . . . . The headliner 50x optical zoom is complimented by at least 100x "ClearZoom." The latter delights *much* more frequently than disappoints. Toggle it on/off in the settings. There's a separate toggle for straight "digital zoom," which I keep off. ::::: (4) NeatOh! ::::: There's a customizable (limited) button on the top of the camera (oddly placed), & a *convenient* rotating push-in ribbed wheel that keeps, e.g. exposure compensation immediately accessible -- right hand for both. Optional always-present histogram & grid on screen; one tap to change/remove it on the fly (right hand, thumb). ::::: (5) Mechanics ::::: Zooming is reliably fast, as is auto tracking focus. Even at max zoom (50x & 100-140x), IF you adequately brace yourself. Think: you know 20x magnifies your slightest shake; whaddaya think 50x will do? Failing to respect that reality, and prepping yourself accordingly, results in eye-assaulting photos. Likewise, the complex nature of some scenes induces auto focus woes. Quickly curable, thanks to Sony's smart Plan B-- the zoom/focus ring, with a no-eyes-required ridiculously-easy-to-manipulate flip switch (auto/manual focus, left side). . . On the other hand, while snapping itself is fast, an irritating but tolerable wait-state materializes in burst mode's aftermath, per writing the shots to a Class 10 card. ::::: (6) Image Stabilization ::::: The system is golden. But expect no miracles when mimicking a modified version of a rapper within a mile of a microphone. Extreme zoom (50x/optical; 100--140x/ClearZoom) power is new to us all! Each additional mm of zoom necessitates additional care in bracing yourself. Approach the HX300 with related humility ("I don't know diddly 'bout handling a 50x+ camera, so I NEED to be super conscious of my body"), genuinely respect/ learn/ tame it, & you'll be a happy camper. Approach it in the same manner as a less-than-half(!!!) the zoom camera, and the predictable "ugh!" results will spark a bullet-speed return. Bottom-line: This NEW & INTENSE degree of zoom = doom, unless/until you develop bracing techniques (plural!) to harness all that power, AND study the options of *this* camera as well as *its* unique sweet spots. Don't misread me here -- experience via other cameras is helpful. But old-school kinda-braced ain't gonna cut it. Trial & error = my/your BFF. But I assure you, it IS doable! I own a tripod and monopod, which I've yet to use here. Was the learning curve frustrating? You betcha. Worth it? Oooo baby, you better believe it! ::::: (7) You Can D/L the PDF Manual, Now ::::: The full 240 page PDF user manual is linked at dpreview >> Forums >> Sony Cybershot >> search: hx300 PDF. While I rarely RTFM, the HX300's incredible reach alone inspired grabbing & studying that manual while awaiting delivery. Time well spent, as I have zero complaints about image quality, zooming or focusing. At the very least, play CliffNotes by studying the charts outlining what features are available per mode (starts around p80). ::::: (8) A Winning Review ::::: (March 30, 2013 - Amateur Photographer) For those who depend on formal reviewers for camera purchasing, FYI: This UK zine (Zinio on iPad, Web) reviews ultrazooms from Sony, Canon, Fuji & Nikon, awarding first place to the HX300. Reasons: ease of handling, image quality, reliable zoom, speedy autoFocus, "excellent" viewfinder. Having returned Canon's sx50 and Nikon's p510 long prior to snagging this camera, suffice to say that I agree (sluggish/unreliable zoom/focus, viewfinder from Hades, etc). ::::: (9) Suggestion (Images available for your review) ::::: Search Flickr ("hx300") to view FULL resolution 10/15/20mp photos. (Forums typically slice resolution.) You'll see birds, squirrels, ducks, the moon, cars, cityscapes, landscapes, indoors & other shots -- Superior Auto/Plus modes, 50x max optical zoom, 140x (!!) ClearZoom, handheld, no crop, no edit, low light, high ISO. FYI: where mine (pgBnax) look soft or lack focus, it's my bad, NOT the camera. Exception: max ClearZoom (100x to 140x) -- sometimes a wee bit soft IQ; not exactly earth-shattering news to those familiar with the foibles of any form of digital zoom. Even there, a couple of minutes of post-processing on my iPad (PhotoGene) cures whatever initially irked these retinas. Otherwise, I repeat: "grrr!" photos flow exclusively from *my* failure to PAF (pay attention, fool!) while lining up the shot. ::::: (10) Recommended Accessories ::::: ... Wasabi Power Battery (2 Pack) and Charger for Sony NP-BX1 and Sony Cyber-shot DSC-RX1, DSC-RX100, HDR-AS10, HDR-AS15 . Under $20. Avoids otherwise required in-camera charging. Plus, having 2 spare batteries juiced & ready lets me focus on my beloved hobby, rather than the precise number of shots left before I'm jacked. ... Maximal Power CA LENCAP55 Snap-On Cap for Lens - 55mm Black Lens cap WITH a cord to attach to camera strap. (Really, Sony, couldn't cough up that little but vital cord?!?) $3 ... Maximal Power 55mm Lens Filter Kit Includes Circular Polarizer, UV and Star Lens Filter Kit for 55mm Camera Lens (Black) Under $10. Nice for getting your feet wet with filters. ... AmeriBag X-Small Microfiber Healthy Back Bag Tote Under $30. Stays flat against my back, with minimal punching, as I run multi-mile park trails. I did add a padded sleeve, pulled from one of my dSLR camera bags. Teflon coating conquers rain fears. Bonus: external water-bottle-friendly hugs-it pouch; room for phone, wallet, spare batteries in a change purse, small notebook and more. External & internal pockets are secure, some zipped, some with Velcro. Guys: Color is key re the metrosexual test. ::::: Finally, ("pure opinion" alert!) a few words about.... Pixel Peepers Professional reviewers invariably blow up photos 100-200%, scrutinizing ad nauseum for shortcomings. Once upon a time, I suffered resulting brain-kidnap syndrome. I was so far gone, that I wouldn't even touch xyz camera until favored reviewers presented their "in depth" positive commentary. While awaiting those reviews, I'd move among assorted forums, hungry for morsels about that xyz camera. At some point (Hallelujah!), a few free brain cells sprung back to life, and it finally registered: * I am not paid to pixel peep. * I do not routinely print poster-size photos. * I will not be wallpapering a room with a photo. * I do not carry a computer monitor to share pics with buddies. * I do not work for National Geographic. On the other hand, I am one picky sunnuvawitch as I review the day's shots. But I now approach each look-see as a realist, not a purist. I typically share via iOS-app arranged printed postcards, standard size snapshots, my phone or iPad4, or StreamZoo or Flickr (I left InstaSpam). In other words, to me, common sense = accept/reject photos based on how they will actually/habitually be used, not on the basis of some pie in the sky version of perfection. dSLR vs Point & Shoot (P&S) . . . . I do not confuse a car with a truck, a bike with a Harley, nor a P&S with a dSLR. I understand: purpose dictates which is better for whom at what time. I realize: camera manufacturers are capitalists. . . . . A dSLR-size sensor within a P&S, WITH extreme zoom, IF mechanically possible, would kill lucrative len$e$ lines, not to mention my bank account. Ain't gonna happen. Meanwhile, dSLRs and P&S both *offer* great pics, but neither *guarantees* it. No camera, nor camera genre, is perfect; each & every one involves/instigates one or more compromises. Not one functions within a vacuum; results are fully dependent upon the photographer. . . . . I appreciate my dSLRs, but they're heavy, cumbersome & downright inconvenient. I've created (!) more photos in the past 7 weeks than I have since early November, and that includes holiday periods. NOT because this camera is new to me, but because its usually with me, unlike a dSLR. **And** because I am finally well-armed to capture scenes which, until recently, were within my line of sight, but beyond the mechanical prowess of the camera then in hand. Read: limited reach. BottomLine, for Me . . . . My history includes purchasing an uber-expensive 500mm telephoto lens. I returned it within 48 hours. Felt like I was carrying a football player's thigh. No thank you! . . . . The HX300 will sing in some hands, flop in others, for reasons previously outlined. Fact: it permits capture of scenes even my dSLRs have futzed -- for years -- solely due to reach limitations. This bad boy is now with me when I step out my door, a good 90% of the time. My dSLRs are headed to eBay. I've been through many a P&S folks. This is the first time I knew, deep within, that I'm sacrificing nadda in reaching for the P&S instead. Super-sweet purchase, no question!

Good. Main features include continuous snap shots and up to 100x zoom