AT-VM95ML Dual Moving Magnet Turntable Cartridge Red

MY SHORT REVIEW: I love the AT-VM540ML and its predecessor the AT-440MLB. This AT-VM95ML cartridge is the affordable AT-VM95E upgraded from an elliptical stylus to a micro-linear stylus. Is it worth the extra $100? As a long-time user of the VM95E and its predecessor AT95E, I can tell you that it sounds MUCH better. And to my ears, 99% as good as the $270 AT-VM540ML. Why I can't stop listening to my LPs with this cartridge: • My old “worn out” vintage records now sound better than many new reissue LPs—all the way to the INNER TRACKS. • Dynamic punch and “inner detail”: exciting and lively, but with superb low-level resolution for all genres tested, for example: Miles Davis "Kind of Blue" (50th anniversary Mark Wilder analog lacquers), Talking Heads "Speaking in Tongues" 1980s US LP pressing, The Cure "Love Cats" 45 RPM very bass-heavy club single, "Manitas de Plata" flamenco guitar 1965 Connoisseur SocietyLP, Deutsche Grammophon "Mozart Piano Concertos 17 & 21" w/Geza Anda, Linda Ronstadt/Nelson Riddle Orchestra "What's New," etc. • The most affordable Micro-Linear (aka FineLine, Shibata, Van Den Hul) stylus-cartridge combo I could find ($100 less than the superb VM540ML with nearly-equal sound quality) • Easy to install with built-in screw holes: no fumbling with tiny nuts, lol (for alignment tips, see below) Below is my detailed review, which is nearly identical to my review of the VM540ML and AT-440MLB, except where the sound or performance differs a bit. -- MY RIDICULOUSLY LONG REVIEW (FOR TURNTABLE FANATICS ONLY, OR INSOMNIACS): I’ve tried many cartridges on my old Dual turntables and never found a truly musically satisfying combo—until switching to Audio-Technica micro-linear stylus cartridges. Of the three I own, this is the best one in terms of sound-quality to price ratio. My box of abandoned cartridges includes Grado (ZF3E+, Prestige Green, Black, Silver1), Ortofon (ultra-light OM10 & 20), and an AT95E (nearly identical to the newer VM95E). This AT-VM95L is the most affordable micro-linear (aka Fine Line) stylus cartridge available as far as I know. It's Audio Technica's answer to the third-party-manufactured micro-linear stylus upgrades that have been sold for years. This cartridge's core design began in the 1970’s and so its superb sound quality I believe reflects many iterative improvements over decades. But the main reason it sounds so good, I think, is the micro-linear stylus. WHAT’’S A MICRO-LINEAR (ML) STYLUS? One that’s shaped like a pointed butter knife rather than an elliptical or spherical cone. Its flat sides aim up and down the path of the record groove while it's thin-edged sides contact a long "line" that runs from top to bottom of the groove walls (rather than two tiny groove contact point as with elliptical or conical styli). The Shibata—granddaddy of this stylus design philosophy—was invented by JVC to handle quadrophonic LP’s 30,000-50,000 kHz ultra-high frequency modulation signal, so time-domain resolution is superb with this needle. My experience with this cart (anecdotal of course, your subjective mileage may vary): • INNER GROOVE DISTORTION (IGD) ELIMINATED! I thought that many of my old LPs were worn out, especially on the inner tracks. But the ML stylus of this cartridge plays them crisply with no hint of "fuzziness"...all the way to the last seconds of each album. Yes! • MY VINTAGE VINYL SOUNDS SO MUCH BETTER IN GENERAL. I’ve been digging into my sizable “unplayable old crap" LP pile (albums that I thought were trashed by the cheapo turntables of previous owners). The VM95L extracts nearly ALL of the virgin groove info (surface area untouched by the old heavy turntable arms and elliptical/round needles of yore). • CLARITY AND INNER DETAIL? WAY MORE. For example, I can now easily "pick out" acoustic bass, horn, and cymbal brush work when Miles and his crew are colliding in a polyphonic frenzy on original 1960’s Van Gelder pressings. • WHAT ABOUT SURFACE NOISE? Often LOWER than with my elliptical styli—the VM95L stylus contact area often increases the signal-to-noise ratio (more music signal ÷ same groove wear noise) and thus sounds less noisy. This does vary depending from LP to LP—however, it's never WORSE than the other cartridges mentioned above. • HUGE DYNAMIC RANGE “PUNCH”—This cart has less total signal level than Grado's “moving iron” carts (4mv vs. 5 mv) but the perceived dynamic range "bite" of horns and snare drums is much more present and “real” to me with this cartridge, often MORE so than many XRCD and SACD files I play with a top-end studio DAC converter. • FREQUENCY RESPONSE IS NEAR-NEUTRAL AFTER BREAK-IN (~30 LP plays), with some gentle bass and treble boost in the 20-100 Hz and 5K-15K range (around +1.5 dB per Audacity needle-drop using Analogue Productions "20-20Khz" LP sine-wave sweep track). Interestingly, my more expensive VM540ML & 440MLb carts actually sound more boosted in the bass and treble than this one. This cart sounds great with both my humble NAD PP2 phono preamp (~$100 used) and Yamaha entry-level 1990’s receiver (built-in phono pre-amp) • ZERO CARTRIDGE HUM—a problem with all of the Grado cartridges I've used on vintage Dual 1218 and 1219 tables. With this cartridge? Silent! • LOWER RECORD AND STYLUS WEAR - For this stylus, the A-T pamphlet recommends inspection after 1,000 hours (about 3 times longer than for their elliptical needles). The reason, A-T says, is that the much larger stylus-to-groove contact area spreads out the wear on both needle and record groove, and the thinner profile tracks rather than "pounds" the vinyl's highest-frequency squiggles. Will the 1.8- to 2.2-gram recommended tracking weight generate more wear than the 1.0-gram weight of the other AT carts mentioned above matter for wear? Probably not. See this eye-opening record-wear test by VWestlife: https://youtu.be/kZOj-eO8Mvw?si=eCz49ZfaylRSYaVI. RANDOM TIPS: • AUDITION PROSPECTIVE CARTRIDGES WITH FAMILIAR HEADPHONES - It’s amazing how much turntable/cartridge coloration and definition (or lack thereof) you can hear with headphones. Ironically, on my Grado SR80 headphones, the Grado cartridges above are horribly muddy and fuzzy in comparison to this AT cart. The Ortofons and AT95E are somewhere in between. • Any micro-linear stylus will dredge up old crud out of dirty record grooves. Reason It's making contact with the FULL depth of the grooves. You’ll see it caking your needle, blech! So for the first few plays, I’d clean it often, and with stylus cleaning fluid every 10-15 LP plays. I also clean all my records (even new ones) with Mobile Fidelity's "One Record Cleaning Solution" https://www.amazon.com/gp/product/B003DX0JPW/ and it makes a HUGE improvement in used vinyl sound quality. If you have a fancy record cleaning machine, even better! • To perfectly align this cartridge or any other, download and print out the free “Stupid Protractor” PDF (search and ye shall find). It really is “stupid easy” to use this one (and I’ve struggled with many of ‘em). • A “quick and dirty” way to tune cartridge "brightness" or “dullness”: If this or any cartridge sounds too bright, raise up your LP by putting a cork pad or spare LP under the one you’re playing (most records are pressed with an outer rim lip to keep them from damaging each other). This effectively reduces the VTA (vertical tracking angle), which often differs from one master lacquer to the next (there was no industry standard cutting stylus angle). If your cartridge sounds too dull, try to RAISE your VTA at the tonearm pivot—if you can’t (this was a fancy “audiophile” turntable feature), try removing your rubber mat and replacing with a sheet of paper to get a bit more VTA height (this worked for me on an old Dual CS 606 turntable). • More hacks to tune cartridge "brightness" or “dullness”: Cable length and thickness affects the high-frequency curve. I’ve found that longer cables (6 feet +) "dull" the HF and shorter cables (1.5 feet) brighten the sound. Why? Phono preamps have different capacitance (picoFarad or "pF") and resistance (ohm load) personalities and cable length and gauge effects the former. You can also tweak here with a $9 pair of RCA "Y" adapters and some 20-cent resistors and capacitors. Search online, lots of tutorials! This VM95L cartridge sounds best with phono preamps “tuned” to carts in the 100-200 pF range (typical) and sounds perfect with the entry-to-mid-level phono preamps mentioned above. Caveat: These are my subjective impressions only, YMMV. And, I'm in no way affiliated with Audio Technica or Amazon, nor have I received compensation or product in exchange for my reviews. Just a fellow music-lover always searching for better sound. Happy listening—whatever gear you’re enjoying! - Andrew FULL MANUFACTURER SPECIFICATIONS (THIS WAS NOT IN THE PRODUCT DESCRIPTION AT THE TIME OF THIS REVIEW) * Frequency Response 20 - 25,000 Hz * Channel Separation 23 dB (1 kHz) * Vertical Tracking Angle 23° * Vertical Tracking Force 1.8 to 2.2g (2.0g standard) * Stylus Construction Nude Square Shank * Recommended Load Impedance 47,000 Ω * Coil Impedance 3.3 kΩ (1 kHz) * DC Resistance 485 Ω * Coil Inductance 550 mH (1 kHz) * Output Voltage 3.5 mV (@ 1 kHz, 5 cm/sec) * Output Channel Balance 1.5 dB (1 kHz) * Stylus Shape Microlinear * Cantilever Aluminium Pipe * Static Compliance 20 x 10 – 6 cm / dyne * Dynamic Compliance 10 x 10 – 6 cm / dyne (100 Hz) * Mounting 1/2” centres * Cartridge Weight 6.1g * Dimensions 17.2 x 18.9 x 28.3 ( H x W x D mm) * Accessories Included: * Two 11 mm installation screws; * Two 8 mm installation screws; * Two washers * Non-magnetic screwdriver * Recommended Load Capacitance 100-200 pF * Replacement Stylus AT-VMN95ML * Stylus Size 2.2 x 0.12 mil * Type VM Stereo Dual Magnet * Wire Used for Coil T.P. Copper

The only cartridge and stylus you need. Beyond any doubt, this is the best. Having 50+ years of looking for the right combination, this is it. It beats all the vintage ones including shibata and elliptical regardless of brand. After proper azimuth alignment, and 2 grams of tracking force, it is perfection absolute. Channel separation is clean and precise, even on a 50 year old Sanyo Q40 player. Collected enough vintage, time to move on to the future precision. Well worth the price considering vintage shibata is more expensive and hard to find. This is better and available now. Having spent many hundreds on vintage audio-technica shibata cartridges and stylus over many years, that track at 1 gram or less, nude diamonds, elliptical diamonds, etc. this new combination AT-VM95VL surpasses all others. Using a proper tube preamp is vital, but it is always the cartridge alignment and proper tracking force that will give the best performance of any high-end equipment. Plan on buying more AT-VM95ML for other turntable combo's. Records contain perfectly recorded analog music and have more detail than most media, but you need the right equipment. This is an excellent investment in the best possible sound.

THIS is a great cartridge/stylus combo to upgrade to. I know it's pricy but it's worth every penny. The sound quality is the best of any stylus I have used on my turntable; even worn old records sound amazing with it. I have recommended it to everybody I know asking for a good upgrade and will gladly recommend it to anyone looking at it here on Amazon.

I recently upgraded my turntable with the Audio-Technica AT-VM95ML cartridge, and the difference is nothing short of drastic. This is not a subtle improvement; it's a complete sonic revelation that has breathed new life into every single record in my collection. If you're on the fence about upgrading your phono cartridge, this is the one to jump for. Unlocking Hidden Detail and Nuance The most noticeable change is the incredible level of detail retrieval provided by the MicroLinear (ML) stylus. Where my previous stylus (likely an elliptical or conical) provided a good, enjoyable sound, the VM95ML digs deep into the record grooves to extract every last piece of musical information. Rich Textures: Every nuance and color of the music is highlighted in stunning clarity. I'm hearing complex layers in the mix—subtle cymbal decays, background harmonies, and bass lines—that were previously smeared or simply missing. Pristine Highs: The high frequencies are silky smooth and extended, yet completely free of harshness. This stylus minimizes a phenomenon called "inner groove distortion" (IGD) so that the music sounds just as clean and detailed on the final tracks of a side as it does on the first. Expansive Soundstage: The stereo imaging is fantastic. The instruments are precisely placed across a wide and deep soundstage, giving the music a three-dimensional presence that completely immerses you in the performance. The Final Verdict The Audio-Technica AT-VM95ML has transformed my vinyl playback. It is an extraordinary value proposition for any serious listener, delivering performance that easily rivals cartridges costing two or three times as much. For anyone seeking to hear the full artistry and detail embedded in their records, this cartridge is the essential upgrade.

I have replaced an old Shure M93E without too much expectations but I was totally surprised with the huge improvement in sound quality. First off, it had clear highs yet very little scratch noise from the disc. I played old and new discs and every disc sounded just great. Also, it had wonderful stereo separation. I didn't know vinyl sounded so good. I was pondering over mm from more expensive brands and even mc cartridges but I am glad that I made the right decision. Also, I liked the fact that the stylus has 1000 hours of life which was one of the main reasons that I chose to go with ML, I think it is well worth paying extra for the better stylus such as ML.

I’m a big fan of all the AT cartridges, and have tried many different bases and styli up and down the line. The 95ML is now my go-to, even over more expensive options like the 740ML; your mileage may vary based on your application and needs, but let me try and explain why this is such a steal and why you should consider it even if you have the scratch for an upgrade. The generator in the 95 cartridge has only 2 magnets as opposed to the 4 in the 500 and 700 series from AT, so it is technically inferior in that respect. But this also results in a more “focused” sound with an emphasis on the middle frequencies and the middle of the soundstage. My 740ML has detail in spades, but hearing all the percussion spread out across that soundstage is actually a bit fatiguing after a while. It’s the sort of cart that makes you ooh and ahh over discovering new things on old tracks, but rarely makes you want to just get up and dance. The 95, in contrast, absolutely rocks and rolls - it gives you less resolution and air around instruments, sure, but it’s tremendously “punchy” and is still /quite/ detailed, beating my old Ortofon Blue by a country mile. I also have found that the same aggressive treble on the 5/700mls that makes the cymbals in a good recording stand out also makes bad / hot recordings sound terrible, exacerbating any sibilance problems they might have. The 95 rolls off those highs a bit, and while you lose a little sparkle, it’s much more forgiving of bad vinyl. With the pressing quality of todays recordings so widely variable it pays to have a cart that doesn’t show off flaws quite so much. In terms of the other styli in the 95 range, this is still the sweet spot for me. I tried the EN, and found that to be a fine stylus for the price, but I do think the ML is a huge upgrade in terms of clarity and soundstage. The 95SH was not my cup of tea -strings sounded recessed and voices wooly. This could have been a problem with alignment or VTA, but I’m not new to turntables and do know how to set both; if it’s that sensitive and fiddly it hardly seems worth the trouble to me. Everyone’s mileage will differ, and if you want absolute detail in a stately, refined package, sure, get the 740. But if you want some fun mixed in with the oohing and aging, I seriously recommend giving the 95 a whirl - you might find yourself surprised.

Fantastic Upgrade. What a big improvement. I had an older AT cartridge on my turntable. This model provides a tremendous upgrade in clarity and my records and system sound better with this new cartridge. Very happy I chose this one.

This sounds great and was received on time. However, quality control seems to be lacking as there was a red spot of plastic on the Aluminum cantilever. I was able to remove the plastic from the Aluminum cantilever but this should still have been caught during quality control.

Muito boa! Adquiri em 2022 e até hoje não me arrependo nem um pouco. Tenho uma AT120LP, veio com a atvmn95e, que era uma ótima agulha pelo seu custo benefício, mas a 95ml por ser microlinear vai no fundo do sulco dos discos, extraindo um som muito mais envolvente e rico em detalhes. Tinha discos que eram muito ruins de ouvir mais próximo do centro do disco, por gerarem os famosos inner groove distortion (distorção de sulco interno), onde o disco soava com uma distorção ou sibilância muito grande, mas com a 95ml resolveu a grande maioria dos problemas. Só precisa regular bem certinho o anti-skate e o contrapeso pra ela durar bastante e seus discos também! Como aguenta até 1.000 horas, ela acaba sendo um bom custo benefício, mesmo tendo um valor mais salgado. Ah, obviamente precisa ter no mínimo um receiver okay e caixas boas/revisadas pra poder perceber o desempenho da agulha.

Very good performer.

ラインコンタクト針であるマイクロリニア針を採用しているため、歪みが少ない。特にボーカルのサ行のかすれが激減する。 針自体やレコード盤の寿命が長くなるのも良ポイント。 今年発売された製品は価格が倍になっているため、本製品のコストパフォーマンスが際立つ。

Good upgrade from the VM95E. Sound is a little more detailed and separated. The higher quality pressings benefit the most

Spectacular! The amount of detail this stylus/cartridge is able to pick is just unbelievable. Worn, old vinyls still sound incredible with this little red box. Bargain!